BALICEHERTLING
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KERSTIN BRÄTSCH Born 1979, Hamburg, Germany Lives and works in New York
2011 Not
Yet Titled,
DAS INSTITUT and United Brothers in collaboration with Nhu Duong and BLACKY,
Halle für Kunst, Not Yet Titled, Kerstin Brätsch and Adele Röder, Kunsthalle Zürich, Zürich, Switzerland Treat Your Own Neck, DAS INSTITUT, Deste Foundation, Athens (“Nichts, Nichts!”), Kerstin Brätsch and DAS INSTITUT, Kölnischer Kunstverein, Cologne, Germany 2010 (“Rien, Rien!”), Kerstin Brätsch and DAS INSTITUT, Centre d’Art Contemporain, Parc Saint Léger, Pougues les Eaux, France BroadwayBrätsch / Corporate Abstraction (as DAS INSTITUT, with Balice Hertling), Statements Art Basel 41, Basel THUS!_in cooperation with a DAS
INSTITUT “My Favorite Artworks As Cakes Baking Workshop” (as DAS INSTITUT), KAYA, Kerstin Brätsch and Debo Eilers, 179Canal, New York 2009 BUYBRÄTSCHWÖRST (including DAS INSTITUT and Jane Jo), Balice Hertling, Paris BUYBRÄTSCHWÖRSTGHOSTS (including DAS INSTITUT), Hermes und der Pfau, Stuttgart, Germany D.I.WHY!, DAS INSTITUT, Swiss Institute, New York
SELECTED GROUP EXHIBITIONS
2011 Group Show, Balice Hertling & Lewis, New York ILLUMInations (curated by Bice Curiger), 54th Venice Biennial, Venice, Italy 2010 Gwangju Biennale (curated by Massimiliano Gioni), Korea Greater New York (curated by Klaus Biesenbach), PS1 / Moma, New York Held Up By Columns, Renwick Gallery, New York Vertically Integrated Manufacturing (curated by Jacob King), Murray Guy Gallery, New York After Images (curated by Fionn Meade), Musée Juif de Belgique, Brussels, Belgium Leopards In The Temple (curated by Fionn Meade), Sculpture Center, New York And So On, And So On (curated by Matt Sheridan Smith), Harris Lieberman Gallery, New York The Inhabitants, Vilma Gold, London Behind the Curtain, Gio Marconi Gallery, Milan, Italy The Pursuer, Greene Naftali Gallery, New York 2009 Younger than Jesus (curated by Massimiliano Gioni, Lauren Cornell and Laura Hoptman), New Museum, New York Solaris (curated by Cecilia Alemani), Gio Marconi, Milan, Italy Besides, With, Against, And Yet - Abstraction and the Ready-Made Gesture (curated by Debra Singer), The Kitchen, New York Modernmodern (curated by Pati Hertling), Chelsea Art Museum, New York Art Berlin Contemporary, Akademie der Künste, Berlin No Bees, No Blueberries (curated by Sarina Basta and Tyler Coburn), Harris Lieberman, New York Bridges And Tunnels (curated by Galerie New Jerseyy), Hard Hat, Geneva, Switzerland Non Solo Show- Non Group Show (curated by Beatrix Ruf), Kunsthalle Zürich, Zürich, Switzerland Tbilisi6, Tiflis (curated by Daniel Baumann), Performance by DAS INSTITUT (with Ei Arakawa and Tobias Madison, Piggy Banks, Samsa Berlin as DAS INSTITUT, Max Hans Daniel) Autocenter, Berlin 2008 Papers Scissors Stone (curated by Gyonata Bonvicini), Galerie Nordenhake, Stockholm, Sweden Standard Sizes (curated by Joao Ribas), Andrew Kreps, New York When You See Me Again It Wont Be Me (with Urania Fasoulidou, incl. Performance by Its Our Pleasure To Serve You (Kerstin Brätsch, Allison Katz, Adele Röder, Georgia Sagri), Smith Stewart Gallery, New York “Would You Like Some Coffee?” (as DAS INSTITUT and Its Our Pleasure To Serve You ), The Unfair Fair, Rome Nichts Ist Aufregend, Nichts Ist Sexy, Nichts Ist Nicht Peinlich (curated by Achim Hochdörfer und Tanja Widmann; Performance by Its Our Pleasure To Serve You), Museum für Moderne Kunst Wien, WIen UOVO Open Office, Art Fair Basel, Basel YES (curated by Tairone Bastien), AR Contemporary Gallery, Milan, Italy New Images/Unisex, New Images/Unisex (curated by Blake Rayne), Kevin Bruk Gallery, Miami Hidden Treasure – Objectives of artistic antecedent life, General Public, Berlin Intimacy, The Fireplace Project, East Hampton, New York FACE FORWARD, LeRoy Neiman Gallery, New York Kerstin Brätsch, Tue Greenfort, Jordan Wolfson, Salon 94 Freemans, New York 2007 Exposition Nº 1, Balice Hertling, Paris Regroup Show, Miguel Abreu, New York Evas Arche und der Feminist (curated by Pati Hertling), Passerby, New York Fractured in Aspect, Andrew Kreps, New York I like to move it, Infernoesque–Infernoesque, Berlin Beyond the Pale, Moti Hasson Gallery, New York
EDUCATION
2007 MFA, Columbia University, New York 2005 Studienstiftung des Deutschen Volkes, Germany UdK, University for the Arts, Berlin (Meisterschüler of Prof. Lothar Baumgarten) 2006 Gamblin Award, New York Agnes Martin Fellowship Award, New York “Auslandsförderung”, Studien Stiftung des Deutschen Volkes, Germany 2001 University for the Applied Arts and Science, Hamburg
DAS INSTITUT
2007 Founded by Kerstin Brätsch and Adele Röder as an Import/Export Agency
SELECTED BIBLIOGRAPHY
2010 DAS INSTITUT (Kerstin Brätsch and Adele Rödler), Monopol Magazine North Drive Press Vol.5, January Art 41 Basel Catalogue, Basel Frieze Art Fair Yearbook 2009 Modernmodern Catalogue, Chelsea Art Museum, New York Art Berlin Contemporary Catalogue, Akademie der Künste Berlin, Berlin LMCC LentSpace Newspaper, November 2009 (as DAS INSTITUT) 2008 Papermonument Vol.2, November 2008 Parkett Vol.83 (Insert) Hidden Darts Reader (Josh Smith Catalogue Museum Mumok Vienna) UOVO Vol.18 (as DAS INSTITUT) Younger than Jesus Catalogue, New Museum New York 2005 Jurriaan Benschop, Kastalia Catalogue
SELECTED PRESS
2011 Zoe Stillpass, “Kerstin Brätsch”, Frieze Magazine, January – February 2011 2010 Ken Johnson, “Leopards in the Temple - Sculpture Center” (incl. DAS INSTITUT), NY Times, January Elisabeth Chardon, “Drapeau fruite a Genever - Quartier des Bains” (incl DAS INSTITUT), Le Temps, January Elke Buhr, “Portrait Kerstin Brätsch” (incl. DAS INSTITUT), Monopol Magazine, January Jordon Troeller, “Vertically Integrated Manufacturing Murray Guy Gallery” (as DAS INSTITUT), Artforum Online, January Suzanne Hudson, “Besides, With, Against and Yet” (The Kitchen, London), Atrforum, February Willow Belden, “Leopards in the Temple Melds the Concrete and Abstract” (incl. DAS INSTITUT), Queens Chronicle, January Critics Picks, “Debo Eilers / Kerstin Brätsch: Best in Mixed Media”, Time Out NYC, January Simon Baier, “Einsamkeit ist keine Kunst” (on NS / NG Show; incl. DAS INSTITUT), Kunsthalle Zürich, Texte Zur Kunst, March Saatchi Online, “The Inhabitants” (as DAS INSTITUT), VilmaGold, London, March Espaces Contemporains, “La Victoire de L'Optimisme” (as DAS INSTITUT), Prix du Quartier des Bain, March Mary Leclere, “The Question Of (E)quality : Art in the Age of Facebook”, X-Tra Magazine, Spring 2010, Vol.12, No.3 DAS INSTITUT, TOP TEN, Artforum, April David Lewis, “Non Solo Non Group Show”, Kunsthalle Zürich, Artforum, April Nick Smith, “Brooklyn- Based Arts Journal Presents A Paperthin Exhibition”, Trash and Treasure, Charleston City Paper, 22, March Carly Busta, “Besides, With, Against and Yet”, May Magazine, April HU Obrist, DU Magazine, June V-Magazine, July Spike Magazine, June Kaleidoscope Magazine, June 2009 “Dictionary of Artists” ( incl. DAS INSTITUT), Flash Art, March Brick Flac, Interview with Piper Marshall, Art in America Online, February Carol Vogel, “Its Art of the Computer Generation”, New Museum, New York Times, March Hanne Mugaas, “The ‘Painting’ Show Online” (with Debo Eilers), March Howard Halle, “The Generational”, New
Museum, Time Out NYC, April 22,
“It's The Squid” (with Sonja Gerdes), Online Magazine Charlie Finch, “Jesus Responds”, New Museum, Artnet, April Holland Cotter, “Young Artists Caught in the Act”, New Museum, New York Times, April Paul Laster, “New Art from the Milleniais”, New Museum, Flavorwire, April Claudia Bodin, “Oh My God”, New Museum, Art Magazine, April Thomas Micchelli, “The Generational”, New Museum, The Brooklyn Rail, May Joanna Fiduccia, “Original Copies/Images In The Zero Dimension”, Art On Paper, May Vincent Katz, “NY Summertime”, New Museum, Apollo Magazine, June Joan Waltemath, “Wiser than God”, New Museum, The Brooklyn Rail, July Claire Moulene, “BUYBRÄTSCHWÖRST” (incl DAS INSTITUT), Galerie Balice Hertling, Artforum, September German Vogue, September Ewing, “No Bees No Blueberries”, Harris Lieberman (as DAS INSTITUT), ArtLies, Fall Hans Jürgen Hafner, “Der Tisch als Konzeptprothese”, ABC Berlin (incl. DAS INSTITUT), Artnet, September 100 Top Artists, Flashart, October Adam Kleinmann, “DI WHY,not?” (as DAS INSTITUT), Swiss Institute, Texte Zur Kunst Online, November Marco Tagliafierro, “Solaris”, Gio Marconi, Artforum, November David Lewis, “Bridges and Tunnels”, Hard Hat (as DAS INSTITUT), Artforum, December TJ Carlin, “DAS INSTITUT DI WHY?” (as DAS INSTITUT), Swiss Institute, Artreview, December Brigitte Ulmer, “Speed Dating unter Künstlern” (incl. DAS INSTITUT), Kunsthalle Zürich, Neue Züricher Zeitung, December 2008 T.J. Carlin, “Standard Sizes”, Andrew Kreps, Time Out NYC, July Stephen Maine, “Report From The Lower East Side”, Art in America, March 2007 Jerry Saltz, “Into the Fray”, Moti Hasson,The Village Voice, February Roberta Smith, “Genesis I am Sorry”, Greene Naftali, New York Times, August Holland Cotter, “Fractured In Aspect”, Andrew Kreps, New York Times, August John Kelsey, “Top Ten 2007”, Evas Arche Nr.8, Artforum, December Eric Angles, Open Edition 23 |