BALICEHERTLING
EXHIBITIONSARTISTSFAIRSGALLERY
INFORMATION


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OSCAR TUAZON

( biography ) ( works )


Born 1975, Seattle, Washington
Lives and works in Paris


SELECTED SOLO EXHIBITIONS

2011          Galerie Eva Presenhuber, Zurich
                   Standard (Oslo), Oslo
                   Die, Power Station, Dallas
2010          Sex Booze Weed Speed (with Garder Eide Einarsson), Rat Hole Gallery, Japan
                   Sex, Jonathan Viner Gallery, London
                   My Mistake, Institute of Contemporary Art, London
                   Oscar Tuazon, Kunsthalle Bern, Switzerland
                   My Flesh to Your Bare Bones (with Vito Acconci), Maccarone, New York
                   One of My Best Comes, Parc St. Leger, France
2009          Bend It Till It Breaks, Centre internationale d’art et du paysage Ile de la Vassivière, France
                   Against Nature, Künstlerhaus Stuttgart, Germany
                   F.T.W., Dépendance, Brussels, Belgium
                   That’s Not Made For That, David Roberts Foundation, London
                   ASS TO MOUTH, Balice Hertling, Paris
                   Untitled (Leave Me Be), Standard, Oslo
                   I Was A Stranger, “Berlin-Paris”, Balice Hertling with Isabella Bortolozzi, Berlin
                   Another Nameless Venture Gone Wrong, Haugar Vestfold Kunstmuseum, Tønsberg, Norway
2008         Dirty Work, Jonathan Viner / Fortescue Avenue, London
                   A Vow of Poverty, Maccarone, New York
                   Kodiak (with Eli Hansen), Seattle Art Museum. Seattle, Washington
                   This World’s Just Not Real To Me (with Eli Hansen), Howard House, Seattle, Washington
2007          Where I Lived and What I Lived For, Module Palais de Tokyo, Paris
                   I’d Rather Be Gone, Standard, Oslo
                   Oscar Tuazon / Mike Freeman, castillo/corrales, Paris
                   Voluntary NOn vUlnerable (with Eli Hansen), Bodgers and Kludgers, Vancouver


SELECTED GROUP EXHIBITIONS AND PROJECTS

2011         The Language of Less, Museum of Contemporary Art, Chicago
                  Sculpture Now, Galerie Eva Presenhuber, Zurich
                  ILLUMInations (curated by Bice Curiger), 54th Venice Biennial, Venice
                  Isabelle Cornaro, Nikolas Gambaroff, Oscar Tuazon, Eli Hansen, A Palazzo Gallery, Brescia, Italy
                  Fragments Americana (curated by Heidi Slimane), Almine Rech Gallery, Brussels
                  The Art of Narration Changes With Time, Sprüth Magers Berlin, Berlin
                  After Images (curated by Fionn Meade), Musée Juif de Belgique, Brussels, Belgium
                  Dystopia, CAPC Bordeaux, Bordeaux, France
                  Art In The City, Art Brussels, Brussels
                  Under Construction, SAKS, Geneva
                  Light In Darkness, Western Bridge, Seattle, Washington
                  Poste Restante (curated by Eric Fredericksen), Artspeak, Vancouver
                  Tableaux, Le Magasin, Grenoble, France
                  You and Now, Balice Hertling, Paris  
2010         Displaced Fractures, Migros Museum fur Gegenwartkunst, Zurich
                   The Way It Wasn’t (Celebrating Ten Years of castillo/corrales, Paris), Midway Contemporary Art, Minneapolis, Minnesota
                   Dynasty, Palais de Tokyo & Musée d’Art Moderne de la Ville de Paris, Paris
                   Art Public (with Balice Hertling / Standard Oslo), Art41 Basel, Basel
                   Rehabilitation, WIELS Center for Contemporary Art, Brussels
                   Perpetual Battles, Baibakov Art Foundation Moscow
                   When Do You See Yourself in Ten Years?, Standard (Oslo), Oslo
                   The Concrete Show, Galleria Franco Noero, Turin, Italy
                   A Basic Human Impulse, GC.AC, Galleria Comunale d'Arte Contemporanea di Monfalcone, Monfalcone, Italy
                   Mutinity Seemed a Probability, Fondazione Giuliani, Rome
                   Box With The Sound Of Its Own Making, Western Bridge, Seattle, Washington
                   The Nice Thing About Castillo/Corrales..., castillo/corrales, Paris
                   Les Sculptures Meurent Aussi, La Kunsthalle Mulhouse, Mulhouse, France
                   Infinite Fold, Galerie Thaddaeus Ropac, Paris
2009         Wood, Maccarone, New York
                   Of Vagrant Dwellers in the Houseless Woods (curated by Eric Fredericksen), Or Gallery, Vancouver
                   Utopie et Quotidiennete, Centre d’Art Contemporain Geneva, Geneva
                   Genneriello, Balice Hertling, Paris
                   Sauvagerie Domestique, Galerie Eduard-Manet, Genevilliers, France
                   Free As Air and Water, Cooper Union, New York
                   Use It For What It’s Used For (with Eli Hansen), Temporary Sculpture Park, Lower Manhattan Cultural Council, New York
                   L’image Cabrée, 11? Prix Fondation d’entreprise Ricard, Fondation d’entreprise Ricard, Paris
                   Display with Sound, IPS, Birmingham, UK
                   Evento, Bordeaux, France
                   Insiders : praqtiques, usage, savoir-faire, CAPC, Bordeaux, France
                   Hello Goodbye Thank You, Again, castillo/corrales, Paris
                   Mirrors (curated by Gyonata Bonvicini), MARCO, Vigo. Spain
2008         Alex Hubbard and Oscar Tuazon, Contemporary Art Museum St. Louis, Saint Louis, Missouri
                   September Show, Tanya Leighton Gallery, Berlin
                   Rendez-Vous Nowhere, Centro Cultural Montehermoso, Vitoria-Gasteiz, Spain
                   The Station (curated by Shamim Momin), Miami, Florida
                   Sack of Bones (Los Angeles), Peres Projects, Los Angeles
                   Sommerakademie, Paul Klee Zerntrum, Bern
                   Suddenly : Where We Live Now, Douglas F. Cooley Memorial Art Gallery, Portland, Oregon
2007          A Town (Not a City), Kunsthalle St. Gallen, St.Gallen, Switzerland
                   We Have Never Met Before [...], Standard (Oslo), Oslo
                   Exposition N°1, Balice Hertling, Paris
                   Documenta 12 Magazine Projects, under the auspices of Metronome, Kassel, Germany
2006         The Elementary Particles (The Paperback Edition), Standard, Oslo
                   Minotaur Blood, Fortescue Avenue/Johnathan Viner, London
                   Just Move On, project for CLUI Wendover, Wendover, Utah
                   Down By Law, The Wrong Gallery, Whitney Biennial, Whitney Museum of American Art, New York
                   An Open Operation, Edinburgh College of Art, Edinburgh, UK
                   For Death, Halle 14, Leipzig, Germany
                   The Culture of Fear, ACC Galerie, Weimar, Germany
                   Metronome no. 10, Portland Institute for Contemporary Art, Portland, Oregon
                   Living Underground, Siuslaw National Forest, Oregon
2005         Secret Room, Kanazawa, Japan
                   Baroque Geode, Sundown Salon, Los Angeles
                   Bridges, University of Colorado, Denver, Colorado
2004          Slouching Towards Bethlehem, The Project, New York, New York
                  Xtreme Houses, Lothringer13, Munich, Germany and “Halle 14”, Leipzig, Germany
                   Human, Fucking Human, Lofoten International Art Festival, Bergen, Norway
                   Adaptations, Kunsthalle Fridericianum, Kassel, Germany
                   Our Mirror, Lower Manhattan Cultural Council, New York
                   Urban Renewal: City Without a Ghetto, Temporary Services, Chicago
                   Urban Renewal: City Without a Ghetto, Princeton School of Architecture, New Jersey
                   The Subsidized Landscape, The Center for Architecture, New York
                   Sprawl, Hudson Clearing, New York
                   Adaptations, with Richard Fischbeck, Apex Art, New York
                   Wight Biennial, with Richard Fischbeck, UCLA, Los Angeles
                   24/7, CAC, Vilnius, Lithuania
2003         Float, Socrates Sculpture Park, New York
                   Deathtime, 27 Canal, New York
                   Whitney Independent Study Program, Galapagos, New York
                   Whitney Independent Study Program (with Bea Schlingelhoff), New York
                   Totally Motivated, with Gardar Eide Einarsson, Kunstverein, Münich
                   Between the Lines, with Gardar Eide Einarsson, Apex Art, New York
                   City Without a Ghetto, Artists Space, New York
                   Inscribing the Temporal, Kunsthalle Exnergasse, Vienna
2002          STRIKE, Wolverhampton Art Gallery, Wolverhampton, UK
                   Coming Soon, Whitney Independent Study Program, New York
                   Museum of the White Man, New York / Suquamish, Washington
2001          Programmable City, Storefront for Art and Architecture, New York
                   Building Codes, Lower East Side Tenement Museum, New York
                   Landlords Instant Cash!, P.S.1 Center for Contemporary Art, New York


EDUCATION

2002-03     Program/Cooper Union School of Architecture, Architecture/Urban Studies Program, New York
2001-03     Whitney Museum of American Art Independent Study Program, Studio Program, New York
1995-99     Cooper Union for the Advancement of Science and Art, New York


PUBLISHED PROJECTS

2009          “vonu”, artist edition with May Revue, Paris
2005          “Downlow”, Metronome, Paris
2004          “An Introduction to the Randome”, Bridges Mathematical Conference Proceedings, Hungary
2003          “What is a Tool?”, Cabin Magazine 03, Kent Institute of Art, England (with Gardar Eide Einarsson)
                   “Planning Alternative Space”, RepublicArt.net
                   “Guerilla War in the USA, 1965-70”, with Gardar Eide Einarsson, New York
2002          “City Without a Ghetto”, Artists Space, New York
                   “Refuse to be Burnt Out”, UKS Forum for Samtidkust #2/3/4: Architecture, Oslo
                   “DomeHome”, New York
                   “Empire Within”, Everything Magazine, London
1999          “KYGL Guide to Urban Objects”, Center for Urban Pedagogy, New York


BIBLIOGRAPHY

2010          Structural Tension, by Julian Rose, in Artforum, December
                   Artist of the week 98 : Oscar Tuazon, Skye Sherwin, The Guardian, July
                   «Oscar Tuazon» by Mike Freeman in Dynasty, Musée d’Art Moderne de la Ville de Paris / Arc, Palais de Tokyo, Paris
                   «Oscar Tuaon & Eli Hansen», in Palais, n°12, Palais de Tokyo, CNAP, Paris
                   «Oscar Tuazon, points de rupture» by Richard Leydier, in Art Press, n°369, Paris
                   Flash Art by Sonia Campagnola
                   «Art in Review», by Karen Rosenberg, in New York Times
2009          The Artist’s Artist, Artforum, December
                   Frog, by Julien Fronsacq
                   Frieze, by Vivian Rehberg
                   Art in America, by Vivian Rehberg
                   Liberation
                   Vitamin 3D, Phaidon Press.
                   Les Inrockuptibles, by Claire Moulène, September
                   Les Inrockuptibles, by Jean Max Colard, September
                   Mousse Magazine, Interview with Francesca di Nardo. January
2008          Modern Painters, Oscar Tuazon + Gardar Eide Einarsson, December
                   Beaux Arts, Stéphanie Mosidon,
                   Paris,L.A. , Interview with Dennis Cooper, November
2007          Numéro, Interview with Nicolas Tremblay, October
2004          “Slouching Towards Bethlehem”, Roberta Smith, The New York Times, Aug 13
                   “Slouching Towards Bethlehem”, Howard Halle, Time Out New York
                   “Adaptations”, Craig Buckley, Adaptations Catalogue, ApexArt, New York
                   “Adaptations”, Holland Cotter, The New York Times, Jan 30
2003         “Sculpture Forever”, Flash Art International, Aug.
                   “Exhibit Visits Urban Renewal’s ‘Scenes of Crime’”, Rebecca Tuhus-Dubrow, Metropolis, Oct.
                   “After the Utopian Refl ex”, Kirsten Everberg, The 2003 Wight Biennial Catalogue,
                    Department of Art, UCLA, Los Angeles
2003         “Body and the Archive”, Holland Cotter, The New York Times, Feb 14